designer of optimism
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 Tactically introduced into the public landscape, these non-functional material additions served as tests to discover what caught the attention of passers-by. To facilitate these experiments, limitations were established for material, location, and target verb. I installed a defined set of materials in public locations and observed the reactions of people as they encountered it. Five installations were completed, using three variations of materials, in two different locations.   The intentions of these experiments were threefold: First, gain an understanding or insight into the reactions of people to these obscure objects. Second, to establish a comfort with working in this guerilla, public arena. Finally, to explore the materiality of a limited palette of building blocks, and use that understanding to inform the next phase.

Tactically introduced into the public landscape, these non-functional material additions served as tests to discover what caught the attention of passers-by. To facilitate these experiments, limitations were established for material, location, and target verb. I installed a defined set of materials in public locations and observed the reactions of people as they encountered it. Five installations were completed, using three variations of materials, in two different locations. 

The intentions of these experiments were threefold: First, gain an understanding or insight into the reactions of people to these obscure objects. Second, to establish a comfort with working in this guerilla, public arena. Finally, to explore the materiality of a limited palette of building blocks, and use that understanding to inform the next phase.

 Tactically introduced into the public landscape, these non-functional material additions served as tests to discover what caught the attention of passers-by. To facilitate these experiments, limitations were established for material, location, and target verb. I installed a defined set of materials in public locations and observed the reactions of people as they encountered it. Five installations were completed, using three variations of materials, in two different locations.   The intentions of these experiments were threefold: First, gain an understanding or insight into the reactions of people to these obscure objects. Second, to establish a comfort with working in this guerilla, public arena. Finally, to explore the materiality of a limited palette of building blocks, and use that understanding to inform the next phase.

Tactically introduced into the public landscape, these non-functional material additions served as tests to discover what caught the attention of passers-by. To facilitate these experiments, limitations were established for material, location, and target verb. I installed a defined set of materials in public locations and observed the reactions of people as they encountered it. Five installations were completed, using three variations of materials, in two different locations. 

The intentions of these experiments were threefold: First, gain an understanding or insight into the reactions of people to these obscure objects. Second, to establish a comfort with working in this guerilla, public arena. Finally, to explore the materiality of a limited palette of building blocks, and use that understanding to inform the next phase.

 Tactically introduced into the public landscape, these non-functional material additions served as tests to discover what caught the attention of passers-by. To facilitate these experiments, limitations were established for material, location, and target verb. I installed a defined set of materials in public locations and observed the reactions of people as they encountered it. Five installations were completed, using three variations of materials, in two different locations.   The intentions of these experiments were threefold: First, gain an understanding or insight into the reactions of people to these obscure objects. Second, to establish a comfort with working in this guerilla, public arena. Finally, to explore the materiality of a limited palette of building blocks, and use that understanding to inform the next phase.

Tactically introduced into the public landscape, these non-functional material additions served as tests to discover what caught the attention of passers-by. To facilitate these experiments, limitations were established for material, location, and target verb. I installed a defined set of materials in public locations and observed the reactions of people as they encountered it. Five installations were completed, using three variations of materials, in two different locations. 

The intentions of these experiments were threefold: First, gain an understanding or insight into the reactions of people to these obscure objects. Second, to establish a comfort with working in this guerilla, public arena. Finally, to explore the materiality of a limited palette of building blocks, and use that understanding to inform the next phase.

 Tactically introduced into the public landscape, these non-functional material additions served as tests to discover what caught the attention of passers-by. To facilitate these experiments, limitations were established for material, location, and target verb. I installed a defined set of materials in public locations and observed the reactions of people as they encountered it. Five installations were completed, using three variations of materials, in two different locations.   The intentions of these experiments were threefold: First, gain an understanding or insight into the reactions of people to these obscure objects. Second, to establish a comfort with working in this guerilla, public arena. Finally, to explore the materiality of a limited palette of building blocks, and use that understanding to inform the next phase.

Tactically introduced into the public landscape, these non-functional material additions served as tests to discover what caught the attention of passers-by. To facilitate these experiments, limitations were established for material, location, and target verb. I installed a defined set of materials in public locations and observed the reactions of people as they encountered it. Five installations were completed, using three variations of materials, in two different locations. 

The intentions of these experiments were threefold: First, gain an understanding or insight into the reactions of people to these obscure objects. Second, to establish a comfort with working in this guerilla, public arena. Finally, to explore the materiality of a limited palette of building blocks, and use that understanding to inform the next phase.

 Tactically introduced into the public landscape, these non-functional material additions served as tests to discover what caught the attention of passers-by. To facilitate these experiments, limitations were established for material, location, and target verb. I installed a defined set of materials in public locations and observed the reactions of people as they encountered it. Five installations were completed, using three variations of materials, in two different locations.   The intentions of these experiments were threefold: First, gain an understanding or insight into the reactions of people to these obscure objects. Second, to establish a comfort with working in this guerilla, public arena. Finally, to explore the materiality of a limited palette of building blocks, and use that understanding to inform the next phase.

Tactically introduced into the public landscape, these non-functional material additions served as tests to discover what caught the attention of passers-by. To facilitate these experiments, limitations were established for material, location, and target verb. I installed a defined set of materials in public locations and observed the reactions of people as they encountered it. Five installations were completed, using three variations of materials, in two different locations. 

The intentions of these experiments were threefold: First, gain an understanding or insight into the reactions of people to these obscure objects. Second, to establish a comfort with working in this guerilla, public arena. Finally, to explore the materiality of a limited palette of building blocks, and use that understanding to inform the next phase.

 Tactically introduced into the public landscape, these non-functional material additions served as tests to discover what caught the attention of passers-by. To facilitate these experiments, limitations were established for material, location, and target verb. I installed a defined set of materials in public locations and observed the reactions of people as they encountered it. Five installations were completed, using three variations of materials, in two different locations.   The intentions of these experiments were threefold: First, gain an understanding or insight into the reactions of people to these obscure objects. Second, to establish a comfort with working in this guerilla, public arena. Finally, to explore the materiality of a limited palette of building blocks, and use that understanding to inform the next phase.

Tactically introduced into the public landscape, these non-functional material additions served as tests to discover what caught the attention of passers-by. To facilitate these experiments, limitations were established for material, location, and target verb. I installed a defined set of materials in public locations and observed the reactions of people as they encountered it. Five installations were completed, using three variations of materials, in two different locations. 

The intentions of these experiments were threefold: First, gain an understanding or insight into the reactions of people to these obscure objects. Second, to establish a comfort with working in this guerilla, public arena. Finally, to explore the materiality of a limited palette of building blocks, and use that understanding to inform the next phase.

 Tactically introduced into the public landscape, these non-functional material additions served as tests to discover what caught the attention of passers-by. To facilitate these experiments, limitations were established for material, location, and target verb. I installed a defined set of materials in public locations and observed the reactions of people as they encountered it. Five installations were completed, using three variations of materials, in two different locations.   The intentions of these experiments were threefold: First, gain an understanding or insight into the reactions of people to these obscure objects. Second, to establish a comfort with working in this guerilla, public arena. Finally, to explore the materiality of a limited palette of building blocks, and use that understanding to inform the next phase.

Tactically introduced into the public landscape, these non-functional material additions served as tests to discover what caught the attention of passers-by. To facilitate these experiments, limitations were established for material, location, and target verb. I installed a defined set of materials in public locations and observed the reactions of people as they encountered it. Five installations were completed, using three variations of materials, in two different locations. 

The intentions of these experiments were threefold: First, gain an understanding or insight into the reactions of people to these obscure objects. Second, to establish a comfort with working in this guerilla, public arena. Finally, to explore the materiality of a limited palette of building blocks, and use that understanding to inform the next phase.

 Tactically introduced into the public landscape, these non-functional material additions served as tests to discover what caught the attention of passers-by. To facilitate these experiments, limitations were established for material, location, and target verb. I installed a defined set of materials in public locations and observed the reactions of people as they encountered it. Five installations were completed, using three variations of materials, in two different locations.   The intentions of these experiments were threefold: First, gain an understanding or insight into the reactions of people to these obscure objects. Second, to establish a comfort with working in this guerilla, public arena. Finally, to explore the materiality of a limited palette of building blocks, and use that understanding to inform the next phase.

Tactically introduced into the public landscape, these non-functional material additions served as tests to discover what caught the attention of passers-by. To facilitate these experiments, limitations were established for material, location, and target verb. I installed a defined set of materials in public locations and observed the reactions of people as they encountered it. Five installations were completed, using three variations of materials, in two different locations. 

The intentions of these experiments were threefold: First, gain an understanding or insight into the reactions of people to these obscure objects. Second, to establish a comfort with working in this guerilla, public arena. Finally, to explore the materiality of a limited palette of building blocks, and use that understanding to inform the next phase.

 Tactically introduced into the public landscape, these non-functional material additions served as tests to discover what caught the attention of passers-by. To facilitate these experiments, limitations were established for material, location, and target verb. I installed a defined set of materials in public locations and observed the reactions of people as they encountered it. Five installations were completed, using three variations of materials, in two different locations.   The intentions of these experiments were threefold: First, gain an understanding or insight into the reactions of people to these obscure objects. Second, to establish a comfort with working in this guerilla, public arena. Finally, to explore the materiality of a limited palette of building blocks, and use that understanding to inform the next phase.

Tactically introduced into the public landscape, these non-functional material additions served as tests to discover what caught the attention of passers-by. To facilitate these experiments, limitations were established for material, location, and target verb. I installed a defined set of materials in public locations and observed the reactions of people as they encountered it. Five installations were completed, using three variations of materials, in two different locations. 

The intentions of these experiments were threefold: First, gain an understanding or insight into the reactions of people to these obscure objects. Second, to establish a comfort with working in this guerilla, public arena. Finally, to explore the materiality of a limited palette of building blocks, and use that understanding to inform the next phase.

 Tactically introduced into the public landscape, these non-functional material additions served as tests to discover what caught the attention of passers-by. To facilitate these experiments, limitations were established for material, location, and target verb. I installed a defined set of materials in public locations and observed the reactions of people as they encountered it. Five installations were completed, using three variations of materials, in two different locations.   The intentions of these experiments were threefold: First, gain an understanding or insight into the reactions of people to these obscure objects. Second, to establish a comfort with working in this guerilla, public arena. Finally, to explore the materiality of a limited palette of building blocks, and use that understanding to inform the next phase.

Tactically introduced into the public landscape, these non-functional material additions served as tests to discover what caught the attention of passers-by. To facilitate these experiments, limitations were established for material, location, and target verb. I installed a defined set of materials in public locations and observed the reactions of people as they encountered it. Five installations were completed, using three variations of materials, in two different locations. 

The intentions of these experiments were threefold: First, gain an understanding or insight into the reactions of people to these obscure objects. Second, to establish a comfort with working in this guerilla, public arena. Finally, to explore the materiality of a limited palette of building blocks, and use that understanding to inform the next phase.

 Tactically introduced into the public landscape, these non-functional material additions served as tests to discover what caught the attention of passers-by. To facilitate these experiments, limitations were established for material, location, and target verb. I installed a defined set of materials in public locations and observed the reactions of people as they encountered it. Five installations were completed, using three variations of materials, in two different locations.   The intentions of these experiments were threefold: First, gain an understanding or insight into the reactions of people to these obscure objects. Second, to establish a comfort with working in this guerilla, public arena. Finally, to explore the materiality of a limited palette of building blocks, and use that understanding to inform the next phase.

Tactically introduced into the public landscape, these non-functional material additions served as tests to discover what caught the attention of passers-by. To facilitate these experiments, limitations were established for material, location, and target verb. I installed a defined set of materials in public locations and observed the reactions of people as they encountered it. Five installations were completed, using three variations of materials, in two different locations. 

The intentions of these experiments were threefold: First, gain an understanding or insight into the reactions of people to these obscure objects. Second, to establish a comfort with working in this guerilla, public arena. Finally, to explore the materiality of a limited palette of building blocks, and use that understanding to inform the next phase.

 Tactically introduced into the public landscape, these non-functional material additions served as tests to discover what caught the attention of passers-by. To facilitate these experiments, limitations were established for material, location, and target verb. I installed a defined set of materials in public locations and observed the reactions of people as they encountered it. Five installations were completed, using three variations of materials, in two different locations.   The intentions of these experiments were threefold: First, gain an understanding or insight into the reactions of people to these obscure objects. Second, to establish a comfort with working in this guerilla, public arena. Finally, to explore the materiality of a limited palette of building blocks, and use that understanding to inform the next phase.

Tactically introduced into the public landscape, these non-functional material additions served as tests to discover what caught the attention of passers-by. To facilitate these experiments, limitations were established for material, location, and target verb. I installed a defined set of materials in public locations and observed the reactions of people as they encountered it. Five installations were completed, using three variations of materials, in two different locations. 

The intentions of these experiments were threefold: First, gain an understanding or insight into the reactions of people to these obscure objects. Second, to establish a comfort with working in this guerilla, public arena. Finally, to explore the materiality of a limited palette of building blocks, and use that understanding to inform the next phase.

 Tactically introduced into the public landscape, these non-functional material additions served as tests to discover what caught the attention of passers-by. To facilitate these experiments, limitations were established for material, location, and target verb. I installed a defined set of materials in public locations and observed the reactions of people as they encountered it. Five installations were completed, using three variations of materials, in two different locations.   The intentions of these experiments were threefold: First, gain an understanding or insight into the reactions of people to these obscure objects. Second, to establish a comfort with working in this guerilla, public arena. Finally, to explore the materiality of a limited palette of building blocks, and use that understanding to inform the next phase.

Tactically introduced into the public landscape, these non-functional material additions served as tests to discover what caught the attention of passers-by. To facilitate these experiments, limitations were established for material, location, and target verb. I installed a defined set of materials in public locations and observed the reactions of people as they encountered it. Five installations were completed, using three variations of materials, in two different locations. 

The intentions of these experiments were threefold: First, gain an understanding or insight into the reactions of people to these obscure objects. Second, to establish a comfort with working in this guerilla, public arena. Finally, to explore the materiality of a limited palette of building blocks, and use that understanding to inform the next phase.

 Tactically introduced into the public landscape, these non-functional material additions served as tests to discover what caught the attention of passers-by. To facilitate these experiments, limitations were established for material, location, and target verb. I installed a defined set of materials in public locations and observed the reactions of people as they encountered it. Five installations were completed, using three variations of materials, in two different locations.   The intentions of these experiments were threefold: First, gain an understanding or insight into the reactions of people to these obscure objects. Second, to establish a comfort with working in this guerilla, public arena. Finally, to explore the materiality of a limited palette of building blocks, and use that understanding to inform the next phase.

Tactically introduced into the public landscape, these non-functional material additions served as tests to discover what caught the attention of passers-by. To facilitate these experiments, limitations were established for material, location, and target verb. I installed a defined set of materials in public locations and observed the reactions of people as they encountered it. Five installations were completed, using three variations of materials, in two different locations. 

The intentions of these experiments were threefold: First, gain an understanding or insight into the reactions of people to these obscure objects. Second, to establish a comfort with working in this guerilla, public arena. Finally, to explore the materiality of a limited palette of building blocks, and use that understanding to inform the next phase.

Tactically introduced into the public landscape, these non-functional material additions served as tests to discover what caught the attention of passers-by. To facilitate these experiments, limitations were established for material, location, and target verb. I installed a defined set of materials in public locations and observed the reactions of people as they encountered it. Five installations were completed, using three variations of materials, in two different locations. 

The intentions of these experiments were threefold: First, gain an understanding or insight into the reactions of people to these obscure objects. Second, to establish a comfort with working in this guerilla, public arena. Finally, to explore the materiality of a limited palette of building blocks, and use that understanding to inform the next phase.

Tactically introduced into the public landscape, these non-functional material additions served as tests to discover what caught the attention of passers-by. To facilitate these experiments, limitations were established for material, location, and target verb. I installed a defined set of materials in public locations and observed the reactions of people as they encountered it. Five installations were completed, using three variations of materials, in two different locations. 

The intentions of these experiments were threefold: First, gain an understanding or insight into the reactions of people to these obscure objects. Second, to establish a comfort with working in this guerilla, public arena. Finally, to explore the materiality of a limited palette of building blocks, and use that understanding to inform the next phase.

Tactically introduced into the public landscape, these non-functional material additions served as tests to discover what caught the attention of passers-by. To facilitate these experiments, limitations were established for material, location, and target verb. I installed a defined set of materials in public locations and observed the reactions of people as they encountered it. Five installations were completed, using three variations of materials, in two different locations. 

The intentions of these experiments were threefold: First, gain an understanding or insight into the reactions of people to these obscure objects. Second, to establish a comfort with working in this guerilla, public arena. Finally, to explore the materiality of a limited palette of building blocks, and use that understanding to inform the next phase.

Tactically introduced into the public landscape, these non-functional material additions served as tests to discover what caught the attention of passers-by. To facilitate these experiments, limitations were established for material, location, and target verb. I installed a defined set of materials in public locations and observed the reactions of people as they encountered it. Five installations were completed, using three variations of materials, in two different locations. 

The intentions of these experiments were threefold: First, gain an understanding or insight into the reactions of people to these obscure objects. Second, to establish a comfort with working in this guerilla, public arena. Finally, to explore the materiality of a limited palette of building blocks, and use that understanding to inform the next phase.

Tactically introduced into the public landscape, these non-functional material additions served as tests to discover what caught the attention of passers-by. To facilitate these experiments, limitations were established for material, location, and target verb. I installed a defined set of materials in public locations and observed the reactions of people as they encountered it. Five installations were completed, using three variations of materials, in two different locations. 

The intentions of these experiments were threefold: First, gain an understanding or insight into the reactions of people to these obscure objects. Second, to establish a comfort with working in this guerilla, public arena. Finally, to explore the materiality of a limited palette of building blocks, and use that understanding to inform the next phase.

Tactically introduced into the public landscape, these non-functional material additions served as tests to discover what caught the attention of passers-by. To facilitate these experiments, limitations were established for material, location, and target verb. I installed a defined set of materials in public locations and observed the reactions of people as they encountered it. Five installations were completed, using three variations of materials, in two different locations. 

The intentions of these experiments were threefold: First, gain an understanding or insight into the reactions of people to these obscure objects. Second, to establish a comfort with working in this guerilla, public arena. Finally, to explore the materiality of a limited palette of building blocks, and use that understanding to inform the next phase.

Tactically introduced into the public landscape, these non-functional material additions served as tests to discover what caught the attention of passers-by. To facilitate these experiments, limitations were established for material, location, and target verb. I installed a defined set of materials in public locations and observed the reactions of people as they encountered it. Five installations were completed, using three variations of materials, in two different locations. 

The intentions of these experiments were threefold: First, gain an understanding or insight into the reactions of people to these obscure objects. Second, to establish a comfort with working in this guerilla, public arena. Finally, to explore the materiality of a limited palette of building blocks, and use that understanding to inform the next phase.

Tactically introduced into the public landscape, these non-functional material additions served as tests to discover what caught the attention of passers-by. To facilitate these experiments, limitations were established for material, location, and target verb. I installed a defined set of materials in public locations and observed the reactions of people as they encountered it. Five installations were completed, using three variations of materials, in two different locations. 

The intentions of these experiments were threefold: First, gain an understanding or insight into the reactions of people to these obscure objects. Second, to establish a comfort with working in this guerilla, public arena. Finally, to explore the materiality of a limited palette of building blocks, and use that understanding to inform the next phase.

Tactically introduced into the public landscape, these non-functional material additions served as tests to discover what caught the attention of passers-by. To facilitate these experiments, limitations were established for material, location, and target verb. I installed a defined set of materials in public locations and observed the reactions of people as they encountered it. Five installations were completed, using three variations of materials, in two different locations. 

The intentions of these experiments were threefold: First, gain an understanding or insight into the reactions of people to these obscure objects. Second, to establish a comfort with working in this guerilla, public arena. Finally, to explore the materiality of a limited palette of building blocks, and use that understanding to inform the next phase.

Tactically introduced into the public landscape, these non-functional material additions served as tests to discover what caught the attention of passers-by. To facilitate these experiments, limitations were established for material, location, and target verb. I installed a defined set of materials in public locations and observed the reactions of people as they encountered it. Five installations were completed, using three variations of materials, in two different locations. 

The intentions of these experiments were threefold: First, gain an understanding or insight into the reactions of people to these obscure objects. Second, to establish a comfort with working in this guerilla, public arena. Finally, to explore the materiality of a limited palette of building blocks, and use that understanding to inform the next phase.

Tactically introduced into the public landscape, these non-functional material additions served as tests to discover what caught the attention of passers-by. To facilitate these experiments, limitations were established for material, location, and target verb. I installed a defined set of materials in public locations and observed the reactions of people as they encountered it. Five installations were completed, using three variations of materials, in two different locations. 

The intentions of these experiments were threefold: First, gain an understanding or insight into the reactions of people to these obscure objects. Second, to establish a comfort with working in this guerilla, public arena. Finally, to explore the materiality of a limited palette of building blocks, and use that understanding to inform the next phase.

Tactically introduced into the public landscape, these non-functional material additions served as tests to discover what caught the attention of passers-by. To facilitate these experiments, limitations were established for material, location, and target verb. I installed a defined set of materials in public locations and observed the reactions of people as they encountered it. Five installations were completed, using three variations of materials, in two different locations. 

The intentions of these experiments were threefold: First, gain an understanding or insight into the reactions of people to these obscure objects. Second, to establish a comfort with working in this guerilla, public arena. Finally, to explore the materiality of a limited palette of building blocks, and use that understanding to inform the next phase.

Tactically introduced into the public landscape, these non-functional material additions served as tests to discover what caught the attention of passers-by. To facilitate these experiments, limitations were established for material, location, and target verb. I installed a defined set of materials in public locations and observed the reactions of people as they encountered it. Five installations were completed, using three variations of materials, in two different locations. 

The intentions of these experiments were threefold: First, gain an understanding or insight into the reactions of people to these obscure objects. Second, to establish a comfort with working in this guerilla, public arena. Finally, to explore the materiality of a limited palette of building blocks, and use that understanding to inform the next phase.

Tactically introduced into the public landscape, these non-functional material additions served as tests to discover what caught the attention of passers-by. To facilitate these experiments, limitations were established for material, location, and target verb. I installed a defined set of materials in public locations and observed the reactions of people as they encountered it. Five installations were completed, using three variations of materials, in two different locations. 

The intentions of these experiments were threefold: First, gain an understanding or insight into the reactions of people to these obscure objects. Second, to establish a comfort with working in this guerilla, public arena. Finally, to explore the materiality of a limited palette of building blocks, and use that understanding to inform the next phase.

 Tactically introduced into the public landscape, these non-functional material additions served as tests to discover what caught the attention of passers-by. To facilitate these experiments, limitations were established for material, location, and target verb. I installed a defined set of materials in public locations and observed the reactions of people as they encountered it. Five installations were completed, using three variations of materials, in two different locations.   The intentions of these experiments were threefold: First, gain an understanding or insight into the reactions of people to these obscure objects. Second, to establish a comfort with working in this guerilla, public arena. Finally, to explore the materiality of a limited palette of building blocks, and use that understanding to inform the next phase.
 Tactically introduced into the public landscape, these non-functional material additions served as tests to discover what caught the attention of passers-by. To facilitate these experiments, limitations were established for material, location, and target verb. I installed a defined set of materials in public locations and observed the reactions of people as they encountered it. Five installations were completed, using three variations of materials, in two different locations.   The intentions of these experiments were threefold: First, gain an understanding or insight into the reactions of people to these obscure objects. Second, to establish a comfort with working in this guerilla, public arena. Finally, to explore the materiality of a limited palette of building blocks, and use that understanding to inform the next phase.
 Tactically introduced into the public landscape, these non-functional material additions served as tests to discover what caught the attention of passers-by. To facilitate these experiments, limitations were established for material, location, and target verb. I installed a defined set of materials in public locations and observed the reactions of people as they encountered it. Five installations were completed, using three variations of materials, in two different locations.   The intentions of these experiments were threefold: First, gain an understanding or insight into the reactions of people to these obscure objects. Second, to establish a comfort with working in this guerilla, public arena. Finally, to explore the materiality of a limited palette of building blocks, and use that understanding to inform the next phase.
 Tactically introduced into the public landscape, these non-functional material additions served as tests to discover what caught the attention of passers-by. To facilitate these experiments, limitations were established for material, location, and target verb. I installed a defined set of materials in public locations and observed the reactions of people as they encountered it. Five installations were completed, using three variations of materials, in two different locations.   The intentions of these experiments were threefold: First, gain an understanding or insight into the reactions of people to these obscure objects. Second, to establish a comfort with working in this guerilla, public arena. Finally, to explore the materiality of a limited palette of building blocks, and use that understanding to inform the next phase.
 Tactically introduced into the public landscape, these non-functional material additions served as tests to discover what caught the attention of passers-by. To facilitate these experiments, limitations were established for material, location, and target verb. I installed a defined set of materials in public locations and observed the reactions of people as they encountered it. Five installations were completed, using three variations of materials, in two different locations.   The intentions of these experiments were threefold: First, gain an understanding or insight into the reactions of people to these obscure objects. Second, to establish a comfort with working in this guerilla, public arena. Finally, to explore the materiality of a limited palette of building blocks, and use that understanding to inform the next phase.
 Tactically introduced into the public landscape, these non-functional material additions served as tests to discover what caught the attention of passers-by. To facilitate these experiments, limitations were established for material, location, and target verb. I installed a defined set of materials in public locations and observed the reactions of people as they encountered it. Five installations were completed, using three variations of materials, in two different locations.   The intentions of these experiments were threefold: First, gain an understanding or insight into the reactions of people to these obscure objects. Second, to establish a comfort with working in this guerilla, public arena. Finally, to explore the materiality of a limited palette of building blocks, and use that understanding to inform the next phase.
 Tactically introduced into the public landscape, these non-functional material additions served as tests to discover what caught the attention of passers-by. To facilitate these experiments, limitations were established for material, location, and target verb. I installed a defined set of materials in public locations and observed the reactions of people as they encountered it. Five installations were completed, using three variations of materials, in two different locations.   The intentions of these experiments were threefold: First, gain an understanding or insight into the reactions of people to these obscure objects. Second, to establish a comfort with working in this guerilla, public arena. Finally, to explore the materiality of a limited palette of building blocks, and use that understanding to inform the next phase.
 Tactically introduced into the public landscape, these non-functional material additions served as tests to discover what caught the attention of passers-by. To facilitate these experiments, limitations were established for material, location, and target verb. I installed a defined set of materials in public locations and observed the reactions of people as they encountered it. Five installations were completed, using three variations of materials, in two different locations.   The intentions of these experiments were threefold: First, gain an understanding or insight into the reactions of people to these obscure objects. Second, to establish a comfort with working in this guerilla, public arena. Finally, to explore the materiality of a limited palette of building blocks, and use that understanding to inform the next phase.
 Tactically introduced into the public landscape, these non-functional material additions served as tests to discover what caught the attention of passers-by. To facilitate these experiments, limitations were established for material, location, and target verb. I installed a defined set of materials in public locations and observed the reactions of people as they encountered it. Five installations were completed, using three variations of materials, in two different locations.   The intentions of these experiments were threefold: First, gain an understanding or insight into the reactions of people to these obscure objects. Second, to establish a comfort with working in this guerilla, public arena. Finally, to explore the materiality of a limited palette of building blocks, and use that understanding to inform the next phase.
 Tactically introduced into the public landscape, these non-functional material additions served as tests to discover what caught the attention of passers-by. To facilitate these experiments, limitations were established for material, location, and target verb. I installed a defined set of materials in public locations and observed the reactions of people as they encountered it. Five installations were completed, using three variations of materials, in two different locations.   The intentions of these experiments were threefold: First, gain an understanding or insight into the reactions of people to these obscure objects. Second, to establish a comfort with working in this guerilla, public arena. Finally, to explore the materiality of a limited palette of building blocks, and use that understanding to inform the next phase.
 Tactically introduced into the public landscape, these non-functional material additions served as tests to discover what caught the attention of passers-by. To facilitate these experiments, limitations were established for material, location, and target verb. I installed a defined set of materials in public locations and observed the reactions of people as they encountered it. Five installations were completed, using three variations of materials, in two different locations.   The intentions of these experiments were threefold: First, gain an understanding or insight into the reactions of people to these obscure objects. Second, to establish a comfort with working in this guerilla, public arena. Finally, to explore the materiality of a limited palette of building blocks, and use that understanding to inform the next phase.
 Tactically introduced into the public landscape, these non-functional material additions served as tests to discover what caught the attention of passers-by. To facilitate these experiments, limitations were established for material, location, and target verb. I installed a defined set of materials in public locations and observed the reactions of people as they encountered it. Five installations were completed, using three variations of materials, in two different locations.   The intentions of these experiments were threefold: First, gain an understanding or insight into the reactions of people to these obscure objects. Second, to establish a comfort with working in this guerilla, public arena. Finally, to explore the materiality of a limited palette of building blocks, and use that understanding to inform the next phase.
 Tactically introduced into the public landscape, these non-functional material additions served as tests to discover what caught the attention of passers-by. To facilitate these experiments, limitations were established for material, location, and target verb. I installed a defined set of materials in public locations and observed the reactions of people as they encountered it. Five installations were completed, using three variations of materials, in two different locations.   The intentions of these experiments were threefold: First, gain an understanding or insight into the reactions of people to these obscure objects. Second, to establish a comfort with working in this guerilla, public arena. Finally, to explore the materiality of a limited palette of building blocks, and use that understanding to inform the next phase.
 Tactically introduced into the public landscape, these non-functional material additions served as tests to discover what caught the attention of passers-by. To facilitate these experiments, limitations were established for material, location, and target verb. I installed a defined set of materials in public locations and observed the reactions of people as they encountered it. Five installations were completed, using three variations of materials, in two different locations.   The intentions of these experiments were threefold: First, gain an understanding or insight into the reactions of people to these obscure objects. Second, to establish a comfort with working in this guerilla, public arena. Finally, to explore the materiality of a limited palette of building blocks, and use that understanding to inform the next phase.