http://katie-mays.com/events daily 0.75 2013-04-01 http://katie-mays.com/events/2013/4/15/event-one monthly 0.5 2013-04-01 http://katie-mays.com/parklets daily 0.75 2013-04-17 https://images.squarespace-cdn.com/content/v1/516e09e2e4b085eec3836845/1366180826902-YHAVKMX70QPLYAORZ6JJ/4-Parklets-1.jpg Parklets https://images.squarespace-cdn.com/content/v1/516e09e2e4b085eec3836845/1366180826902-YHAVKMX70QPLYAORZ6JJ/4-Parklets-1.jpg Parklets Design research findings from a two-week externship program in San Francisco at Public Architecture through the Public Interest Design program at the University of Texas. A parklet is an urban intervention to create more public space. Parklets function as public space, much like a traditional park, but rely on the stewardship of a sponsoring business. Parklets are built in the public right-of-way, typically repurposing two adjacent parking spaces, shifting their use from the storage of cars to pedestrian-centered public space. Full report here: PDF Collaborator: GIlad Meron https://images.squarespace-cdn.com/content/v1/516e09e2e4b085eec3836845/1366181665341-NXJFGJG5FALNSR81V3BT/4-Parklets-2.jpg Parklets Design research findings from a two-week externship program in San Francisco at Public Architecture through the Public Interest Design program at the University of Texas. A parklet is an urban intervention to create more public space. Parklets function as public space, much like a traditional park, but rely on the stewardship of a sponsoring business. Parklets are built in the public right-of-way, typically repurposing two adjacent parking spaces, shifting their use from the storage of cars to pedestrian-centered public space. Full report here: PDF Collaborator: GIlad Meron https://images.squarespace-cdn.com/content/v1/516e09e2e4b085eec3836845/1366181665768-4QTD4A9M6PBP5WMY1LL1/4-Parklets-3.jpg Parklets Design research findings from a two-week externship program in San Francisco at Public Architecture through the Public Interest Design program at the University of Texas. A parklet is an urban intervention to create more public space. Parklets function as public space, much like a traditional park, but rely on the stewardship of a sponsoring business. Parklets are built in the public right-of-way, typically repurposing two adjacent parking spaces, shifting their use from the storage of cars to pedestrian-centered public space. Full report here: PDF Collaborator: GIlad Meron http://katie-mays.com/citizenry daily 0.75 2013-05-21 http://katie-mays.com/blight-shelter daily 0.75 2013-07-10 https://images.squarespace-cdn.com/content/v1/516e09e2e4b085eec3836845/1366174648468-1G46843HQX8IOVWNIM15/1-Blight-thumb.jpg Blight Magazine : Shelter https://images.squarespace-cdn.com/content/v1/516e09e2e4b085eec3836845/1366174142968-NCJI2KYF7LI98U2RJX9Y/1-Blight-1.jpg Blight Magazine : Shelter - Blight Magazine : Shelter Spring 2012  From creative brief to final Portland distribution, we conceptualized, planned and produced a professional-grade magazine to consider issues of homelessness through the lens of a high-end, glossy, arts-driven publication. Working as a collaborative publishing group, we engaged in research, community outreach and critical thinking in determining overall content and branding strategy. Over the course of the semester, we worked through traditional magazine-production phases and cycles, including launch planning and audience targeting, issue mapping, template design, editorial planning, assignments and writing, art direction, page design, final production, distribution and marketing. Also, we worked with community partners such as P:EAR, the Bud Clark Commons, and Sisters Of The Road. Team: Joan Lundell, Emma Conley, Lauren Schaefer, Morgan O'Hara. https://images.squarespace-cdn.com/content/v1/516e09e2e4b085eec3836845/1366174143058-45SNRKJWQG1G7IDIDHLD/1-Blight-2.jpg Blight Magazine : Shelter - Blight Magazine : Shelter Spring 2012  From creative brief to final Portland distribution, we conceptualized, planned and produced a professional-grade magazine to consider issues of homelessness through the lens of a high-end, glossy, arts-driven publication. Working as a collaborative publishing group, we engaged in research, community outreach and critical thinking in determining overall content and branding strategy. Over the course of the semester, we worked through traditional magazine-production phases and cycles, including launch planning and audience targeting, issue mapping, template design, editorial planning, assignments and writing, art direction, page design, final production, distribution and marketing. Also, we worked with community partners such as P:EAR, the Bud Clark Commons, and Sisters Of The Road. Team: Joan Lundell, Emma Conley, Lauren Schaefer, Morgan O'Hara.   https://images.squarespace-cdn.com/content/v1/516e09e2e4b085eec3836845/1366174121248-2FED3SCPNNKERZH1HZ16/1-Blight-3.jpg Blight Magazine : Shelter - Blight Magazine : Shelter Spring 2012  From creative brief to final Portland distribution, we conceptualized, planned and produced a professional-grade magazine to consider issues of homelessness through the lens of a high-end, glossy, arts-driven publication. Working as a collaborative publishing group, we engaged in research, community outreach and critical thinking in determining overall content and branding strategy. Over the course of the semester, we worked through traditional magazine-production phases and cycles, including launch planning and audience targeting, issue mapping, template design, editorial planning, assignments and writing, art direction, page design, final production, distribution and marketing. Also, we worked with community partners such as P:EAR, the Bud Clark Commons, and Sisters Of The Road. Team: Joan Lundell, Emma Conley, Lauren Schaefer, Morgan O'Hara. https://images.squarespace-cdn.com/content/v1/516e09e2e4b085eec3836845/1366174122089-PV66L430JSV72GF970QV/1-Blight-4.jpg Blight Magazine : Shelter - Blight Magazine : Shelter Spring 2012  From creative brief to final Portland distribution, we conceptualized, planned and produced a professional-grade magazine to consider issues of homelessness through the lens of a high-end, glossy, arts-driven publication. Working as a collaborative publishing group, we engaged in research, community outreach and critical thinking in determining overall content and branding strategy. Over the course of the semester, we worked through traditional magazine-production phases and cycles, including launch planning and audience targeting, issue mapping, template design, editorial planning, assignments and writing, art direction, page design, final production, distribution and marketing. Also, we worked with community partners such as P:EAR, the Bud Clark Commons, and Sisters Of The Road. Team: Joan Lundell, Emma Conley, Lauren Schaefer, Morgan O'Hara.   https://images.squarespace-cdn.com/content/v1/516e09e2e4b085eec3836845/1366174148357-C06SUG6KXSNHX80FSKF5/1-Blight-5.jpg Blight Magazine : Shelter - Blight Magazine : Shelter Spring 2012  From creative brief to final Portland distribution, we conceptualized, planned and produced a professional-grade magazine to consider issues of homelessness through the lens of a high-end, glossy, arts-driven publication. Working as a collaborative publishing group, we engaged in research, community outreach and critical thinking in determining overall content and branding strategy. Over the course of the semester, we worked through traditional magazine-production phases and cycles, including launch planning and audience targeting, issue mapping, template design, editorial planning, assignments and writing, art direction, page design, final production, distribution and marketing. Also, we worked with community partners such as P:EAR, the Bud Clark Commons, and Sisters Of The Road. Team: Joan Lundell, Emma Conley, Lauren Schaefer, Morgan O'Hara.   https://images.squarespace-cdn.com/content/v1/516e09e2e4b085eec3836845/1366174148666-2YXWU0OAI6WA5F5I5D9E/1-Blight-6.jpg Blight Magazine : Shelter - Blight Magazine : Shelter Spring 2012  From creative brief to final Portland distribution, we conceptualized, planned and produced a professional-grade magazine to consider issues of homelessness through the lens of a high-end, glossy, arts-driven publication. Working as a collaborative publishing group, we engaged in research, community outreach and critical thinking in determining overall content and branding strategy. Over the course of the semester, we worked through traditional magazine-production phases and cycles, including launch planning and audience targeting, issue mapping, template design, editorial planning, assignments and writing, art direction, page design, final production, distribution and marketing. Also, we worked with community partners such as P:EAR, the Bud Clark Commons, and Sisters Of The Road. Team: Joan Lundell, Emma Conley, Lauren Schaefer, Morgan O'Hara. https://images.squarespace-cdn.com/content/v1/516e09e2e4b085eec3836845/1366174161806-ZLYXQ233XLF9UV6BVQBI/1-Blight-7.jpg Blight Magazine : Shelter - Blight Magazine : Shelter Spring 2012  From creative brief to final Portland distribution, we conceptualized, planned and produced a professional-grade magazine to consider issues of homelessness through the lens of a high-end, glossy, arts-driven publication. Working as a collaborative publishing group, we engaged in research, community outreach and critical thinking in determining overall content and branding strategy. Over the course of the semester, we worked through traditional magazine-production phases and cycles, including launch planning and audience targeting, issue mapping, template design, editorial planning, assignments and writing, art direction, page design, final production, distribution and marketing. Also, we worked with community partners such as P:EAR, the Bud Clark Commons, and Sisters Of The Road. Team: Joan Lundell, Emma Conley, Lauren Schaefer, Morgan O'Hara.   https://images.squarespace-cdn.com/content/v1/516e09e2e4b085eec3836845/1366174152012-CBWKMVBSKRRJ6W8KZ5C7/1-Blight-8.jpg Blight Magazine : Shelter - Blight Magazine : Shelter Spring 2012  From creative brief to final Portland distribution, we conceptualized, planned and produced a professional-grade magazine to consider issues of homelessness through the lens of a high-end, glossy, arts-driven publication. Working as a collaborative publishing group, we engaged in research, community outreach and critical thinking in determining overall content and branding strategy. Over the course of the semester, we worked through traditional magazine-production phases and cycles, including launch planning and audience targeting, issue mapping, template design, editorial planning, assignments and writing, art direction, page design, final production, distribution and marketing. Also, we worked with community partners such as P:EAR, the Bud Clark Commons, and Sisters Of The Road. Team: Joan Lundell, Emma Conley, Lauren Schaefer, Morgan O'Hara.   http://katie-mays.com/experiments-in-public-space daily 0.75 2013-04-17 https://images.squarespace-cdn.com/content/v1/516e09e2e4b085eec3836845/1366180331355-8QTVPMN9W1KXA6LYW44R/3-Experiments-1.jpg Experiments In Public Space https://images.squarespace-cdn.com/content/v1/516e09e2e4b085eec3836845/1366180331355-8QTVPMN9W1KXA6LYW44R/3-Experiments-1.jpg Experiments In Public Space Tactically introduced into the public landscape, these non-functional material additions served as tests to discover what caught the attention of passers-by. To facilitate these experiments, limitations were established for material, location, and target verb. I installed a defined set of materials in public locations and observed the reactions of people as they encountered it. Five installations were completed, using three variations of materials, in two different locations. The intentions of these experiments were threefold: First, gain an understanding or insight into the reactions of people to these obscure objects. Second, to establish a comfort with working in this guerilla, public arena. Finally, to explore the materiality of a limited palette of building blocks, and use that understanding to inform the next phase. https://images.squarespace-cdn.com/content/v1/516e09e2e4b085eec3836845/1366180333353-YPFXA3RVIJYAA3G63XSV/3-Experiments-2.jpg Experiments In Public Space Tactically introduced into the public landscape, these non-functional material additions served as tests to discover what caught the attention of passers-by. To facilitate these experiments, limitations were established for material, location, and target verb. I installed a defined set of materials in public locations and observed the reactions of people as they encountered it. Five installations were completed, using three variations of materials, in two different locations. The intentions of these experiments were threefold: First, gain an understanding or insight into the reactions of people to these obscure objects. Second, to establish a comfort with working in this guerilla, public arena. Finally, to explore the materiality of a limited palette of building blocks, and use that understanding to inform the next phase. https://images.squarespace-cdn.com/content/v1/516e09e2e4b085eec3836845/1366180335106-8U8JLXSQSSSIWC0LN6Y4/3-Experiments-3.jpg Experiments In Public Space Tactically introduced into the public landscape, these non-functional material additions served as tests to discover what caught the attention of passers-by. To facilitate these experiments, limitations were established for material, location, and target verb. I installed a defined set of materials in public locations and observed the reactions of people as they encountered it. Five installations were completed, using three variations of materials, in two different locations. The intentions of these experiments were threefold: First, gain an understanding or insight into the reactions of people to these obscure objects. Second, to establish a comfort with working in this guerilla, public arena. Finally, to explore the materiality of a limited palette of building blocks, and use that understanding to inform the next phase. https://images.squarespace-cdn.com/content/v1/516e09e2e4b085eec3836845/1366180338598-0P5LCL1R89J3G7OI6P25/3-Experiments-4.jpg Experiments In Public Space Tactically introduced into the public landscape, these non-functional material additions served as tests to discover what caught the attention of passers-by. To facilitate these experiments, limitations were established for material, location, and target verb. I installed a defined set of materials in public locations and observed the reactions of people as they encountered it. Five installations were completed, using three variations of materials, in two different locations. The intentions of these experiments were threefold: First, gain an understanding or insight into the reactions of people to these obscure objects. Second, to establish a comfort with working in this guerilla, public arena. Finally, to explore the materiality of a limited palette of building blocks, and use that understanding to inform the next phase. https://images.squarespace-cdn.com/content/v1/516e09e2e4b085eec3836845/1366180339322-U6YNMIXI4M2G5NRN5C0J/3-Experiments-5.jpg Experiments In Public Space Tactically introduced into the public landscape, these non-functional material additions served as tests to discover what caught the attention of passers-by. To facilitate these experiments, limitations were established for material, location, and target verb. I installed a defined set of materials in public locations and observed the reactions of people as they encountered it. Five installations were completed, using three variations of materials, in two different locations. The intentions of these experiments were threefold: First, gain an understanding or insight into the reactions of people to these obscure objects. Second, to establish a comfort with working in this guerilla, public arena. Finally, to explore the materiality of a limited palette of building blocks, and use that understanding to inform the next phase. https://images.squarespace-cdn.com/content/v1/516e09e2e4b085eec3836845/1366180344389-QV4OM0VXJYJDOPQKI4AY/3-Experiments-6.jpg Experiments In Public Space Tactically introduced into the public landscape, these non-functional material additions served as tests to discover what caught the attention of passers-by. To facilitate these experiments, limitations were established for material, location, and target verb. I installed a defined set of materials in public locations and observed the reactions of people as they encountered it. Five installations were completed, using three variations of materials, in two different locations. The intentions of these experiments were threefold: First, gain an understanding or insight into the reactions of people to these obscure objects. Second, to establish a comfort with working in this guerilla, public arena. Finally, to explore the materiality of a limited palette of building blocks, and use that understanding to inform the next phase. https://images.squarespace-cdn.com/content/v1/516e09e2e4b085eec3836845/1366180344193-FE1AXBMJ6JMA60DNS449/3-Experiments-7.jpg Experiments In Public Space Tactically introduced into the public landscape, these non-functional material additions served as tests to discover what caught the attention of passers-by. To facilitate these experiments, limitations were established for material, location, and target verb. I installed a defined set of materials in public locations and observed the reactions of people as they encountered it. Five installations were completed, using three variations of materials, in two different locations. The intentions of these experiments were threefold: First, gain an understanding or insight into the reactions of people to these obscure objects. Second, to establish a comfort with working in this guerilla, public arena. Finally, to explore the materiality of a limited palette of building blocks, and use that understanding to inform the next phase. https://images.squarespace-cdn.com/content/v1/516e09e2e4b085eec3836845/1366180352317-WISE0639HS2HB07ZMILS/3-Experiments-8.jpg Experiments In Public Space Tactically introduced into the public landscape, these non-functional material additions served as tests to discover what caught the attention of passers-by. To facilitate these experiments, limitations were established for material, location, and target verb. I installed a defined set of materials in public locations and observed the reactions of people as they encountered it. Five installations were completed, using three variations of materials, in two different locations. The intentions of these experiments were threefold: First, gain an understanding or insight into the reactions of people to these obscure objects. Second, to establish a comfort with working in this guerilla, public arena. Finally, to explore the materiality of a limited palette of building blocks, and use that understanding to inform the next phase. https://images.squarespace-cdn.com/content/v1/516e09e2e4b085eec3836845/1366180351437-RFAACGP146BDKKMM9Q6K/3-Experiments-9.jpg Experiments In Public Space Tactically introduced into the public landscape, these non-functional material additions served as tests to discover what caught the attention of passers-by. To facilitate these experiments, limitations were established for material, location, and target verb. I installed a defined set of materials in public locations and observed the reactions of people as they encountered it. Five installations were completed, using three variations of materials, in two different locations. The intentions of these experiments were threefold: First, gain an understanding or insight into the reactions of people to these obscure objects. Second, to establish a comfort with working in this guerilla, public arena. Finally, to explore the materiality of a limited palette of building blocks, and use that understanding to inform the next phase. https://images.squarespace-cdn.com/content/v1/516e09e2e4b085eec3836845/1366180356119-6HUTZF4I9100GV88AF9R/3-Experiments-10.jpg Experiments In Public Space Tactically introduced into the public landscape, these non-functional material additions served as tests to discover what caught the attention of passers-by. To facilitate these experiments, limitations were established for material, location, and target verb. I installed a defined set of materials in public locations and observed the reactions of people as they encountered it. Five installations were completed, using three variations of materials, in two different locations. The intentions of these experiments were threefold: First, gain an understanding or insight into the reactions of people to these obscure objects. Second, to establish a comfort with working in this guerilla, public arena. Finally, to explore the materiality of a limited palette of building blocks, and use that understanding to inform the next phase. https://images.squarespace-cdn.com/content/v1/516e09e2e4b085eec3836845/1366180358071-S3K3FS1ELMGDFCLWT0OK/3-Experiments-11.jpg Experiments In Public Space Tactically introduced into the public landscape, these non-functional material additions served as tests to discover what caught the attention of passers-by. To facilitate these experiments, limitations were established for material, location, and target verb. I installed a defined set of materials in public locations and observed the reactions of people as they encountered it. Five installations were completed, using three variations of materials, in two different locations. The intentions of these experiments were threefold: First, gain an understanding or insight into the reactions of people to these obscure objects. Second, to establish a comfort with working in this guerilla, public arena. Finally, to explore the materiality of a limited palette of building blocks, and use that understanding to inform the next phase. https://images.squarespace-cdn.com/content/v1/516e09e2e4b085eec3836845/1366180362315-SIJBMUD5IKB40IGWRC74/3-Experiments-12.jpg Experiments In Public Space Tactically introduced into the public landscape, these non-functional material additions served as tests to discover what caught the attention of passers-by. To facilitate these experiments, limitations were established for material, location, and target verb. I installed a defined set of materials in public locations and observed the reactions of people as they encountered it. Five installations were completed, using three variations of materials, in two different locations. The intentions of these experiments were threefold: First, gain an understanding or insight into the reactions of people to these obscure objects. Second, to establish a comfort with working in this guerilla, public arena. Finally, to explore the materiality of a limited palette of building blocks, and use that understanding to inform the next phase. https://images.squarespace-cdn.com/content/v1/516e09e2e4b085eec3836845/1366180362703-M0E34ROZYSV5DMT72FSZ/3-Experiments-13.jpg Experiments In Public Space Tactically introduced into the public landscape, these non-functional material additions served as tests to discover what caught the attention of passers-by. To facilitate these experiments, limitations were established for material, location, and target verb. I installed a defined set of materials in public locations and observed the reactions of people as they encountered it. Five installations were completed, using three variations of materials, in two different locations. The intentions of these experiments were threefold: First, gain an understanding or insight into the reactions of people to these obscure objects. Second, to establish a comfort with working in this guerilla, public arena. Finally, to explore the materiality of a limited palette of building blocks, and use that understanding to inform the next phase. https://images.squarespace-cdn.com/content/v1/516e09e2e4b085eec3836845/1366180366849-9YXPWGILBQ7MZNX9J6DK/3-Experiments-14.jpg Experiments In Public Space Tactically introduced into the public landscape, these non-functional material additions served as tests to discover what caught the attention of passers-by. To facilitate these experiments, limitations were established for material, location, and target verb. I installed a defined set of materials in public locations and observed the reactions of people as they encountered it. Five installations were completed, using three variations of materials, in two different locations. The intentions of these experiments were threefold: First, gain an understanding or insight into the reactions of people to these obscure objects. Second, to establish a comfort with working in this guerilla, public arena. Finally, to explore the materiality of a limited palette of building blocks, and use that understanding to inform the next phase. http://katie-mays.com/growing-gardens daily 0.75 2013-04-17 https://images.squarespace-cdn.com/content/v1/516e09e2e4b085eec3836845/1366186199664-5BX1VROYXZZFR4UGK7JV/8-GG-4.jpg Growing Gardens https://images.squarespace-cdn.com/content/v1/516e09e2e4b085eec3836845/1366186199664-5BX1VROYXZZFR4UGK7JV/8-GG-4.jpg Growing Gardens - Memorial Bench + Teaching Garden Design + installation of a modular, sculptural planter at the Growing Gardens Portland office. The planter was constructed as a memorial to a former staff member, and will be changed with seasonal produce, and used for teaching visitors. https://images.squarespace-cdn.com/content/v1/516e09e2e4b085eec3836845/1366186200045-CFU0B2TI2Y8RMUN5Q221/8-GG-3.jpg Growing Gardens - Memorial Bench + Teaching Garden Design + installation of a modular, sculptural planter at the Growing Gardens Portland office. The planter was constructed as a memorial to a former staff member, and will be changed with seasonal produce, and used for teaching visitors. https://images.squarespace-cdn.com/content/v1/516e09e2e4b085eec3836845/1366186203392-LXXS172IE3HTNQ422VJH/8-GG-1.jpg Growing Gardens - Memorial Bench + Teaching Garden Design + installation of a modular, sculptural planter at the Growing Gardens Portland office. The planter was constructed as a memorial to a former staff member, and will be changed with seasonal produce, and used for teaching visitors. http://katie-mays.com/citizenry-the-game daily 0.75 2013-07-10 https://static1.squarespace.com/static/516e09e2e4b085eec3836845/t/519bb7a8e4b0a613e87232b7/1369159592970/Exhibition-2.jpg Citizenry: The Game https://images.squarespace-cdn.com/content/v1/516e09e2e4b085eec3836845/1373498678117-ZTAJM170IDUUCGL3XMD2/FINAL-defense_KM54.jpg Citizenry: The Game Citizenry: The Game is an approachable medium that facilitates active engagement and questioning. Citizenry is an open-ended framework that allows for a variety of types of play. The initial setup for Citizenry: The Game involves a 5×5 grid as a foundation. As a proxy urban setting, it becomes a framework to represent the contextual relationships of the built environment of a city. The grid is an abstraction, a minimalist distillation of the fundamental elements to make a city. The object of the game around the acquisition of Assets and Skills, towards fulfilling needs of Challenges, and given space on the Board. “Challenges” represent temporary or community-driven uses of the public spaces for increased civic participation and quality of life. Examples are Community Gardens, Food Cart Pods, Dance Party, and Skate Park. The built environments represented are grounded in my current home of Portland, Oregon. This location has also informed the aspirational challenges to meet in the game. Five typologies are represented in the piece of the game. A “skyscraper”, towering over the other pieces, to represent the density of an urban core. “Mixed Use” mid-rise represents 2-4 story buildings, like the ones populating Portland’s Northeast and Southeast neighborhoods, like Alberta, Mississippi, North Williams, Hawthorne, Belmont, Division, and Burnside. “Residential”, depicted as traditional pitched-roof single-family homes, may represent any type of residential areas, at a density of a typical city block. Two types of open spaces, “Vacant Lots” and “Park” are to be used as flexible, transitional spaces that meet needs of Challenges. Installation at MFA Collaborative Design final show, Vigor Industrial, May 24 - June 11, 2013. https://images.squarespace-cdn.com/content/v1/516e09e2e4b085eec3836845/1369159603906-LODO0QRMWSCMO3KPTDDH/Exhibition-3.jpg Citizenry: The Game Citizenry: The Game is an approachable medium that facilitates active engagement and questioning. Citizenry is an open-ended framework that allows for a variety of types of play. The initial setup for Citizenry: The Game involves a 5×5 grid as a foundation. As a proxy urban setting, it becomes a framework to represent the contextual relationships of the built environment of a city. The grid is an abstraction, a minimalist distillation of the fundamental elements to make a city. The object of the game around the acquisition of Assets and Skills, towards fulfilling needs of Challenges, and given space on the Board. “Challenges” represent temporary or community-driven uses of the public spaces for increased civic participation and quality of life. Examples are Community Gardens, Food Cart Pods, Dance Party, and Skate Park. The built environments represented are grounded in my current home of Portland, Oregon. This location has also informed the aspirational challenges to meet in the game. Five typologies are represented in the piece of the game. A “skyscraper”, towering over the other pieces, to represent the density of an urban core. “Mixed Use” mid-rise represents 2-4 story buildings, like the ones populating Portland’s Northeast and Southeast neighborhoods, like Alberta, Mississippi, North Williams, Hawthorne, Belmont, Division, and Burnside. “Residential”, depicted as traditional pitched-roof single-family homes, may represent any type of residential areas, at a density of a typical city block. Two types of open spaces, “Vacant Lots” and “Park” are to be used as flexible, transitional spaces that meet needs of Challenges. Installation at MFA Collaborative Design final show, Vigor Industrial, May 24 - June 11, 2013. https://images.squarespace-cdn.com/content/v1/516e09e2e4b085eec3836845/1369159605001-Q5R82F5JPLGO9I38406Q/IMG_3559.JPG Citizenry: The Game Citizenry: The Game is an approachable medium that facilitates active engagement and questioning. Citizenry is an open-ended framework that allows for a variety of types of play. The initial setup for Citizenry: The Game involves a 5×5 grid as a foundation. As a proxy urban setting, it becomes a framework to represent the contextual relationships of the built environment of a city. The grid is an abstraction, a minimalist distillation of the fundamental elements to make a city. The object of the game around the acquisition of Assets and Skills, towards fulfilling needs of Challenges, and given space on the Board. “Challenges” represent temporary or community-driven uses of the public spaces for increased civic participation and quality of life. Examples are Community Gardens, Food Cart Pods, Dance Party, and Skate Park. The built environments represented are grounded in my current home of Portland, Oregon. This location has also informed the aspirational challenges to meet in the game. Five typologies are represented in the piece of the game. A “skyscraper”, towering over the other pieces, to represent the density of an urban core. “Mixed Use” mid-rise represents 2-4 story buildings, like the ones populating Portland’s Northeast and Southeast neighborhoods, like Alberta, Mississippi, North Williams, Hawthorne, Belmont, Division, and Burnside. “Residential”, depicted as traditional pitched-roof single-family homes, may represent any type of residential areas, at a density of a typical city block. Two types of open spaces, “Vacant Lots” and “Park” are to be used as flexible, transitional spaces that meet needs of Challenges. Installation at MFA Collaborative Design final show, Vigor Industrial, May 24 - June 11, 2013. https://images.squarespace-cdn.com/content/v1/516e09e2e4b085eec3836845/1369159589826-H0H4RRRN429G5M6ATH7P/IMG_3548.JPG Citizenry: The Game Citizenry: The Game is an approachable medium that facilitates active engagement and questioning. Citizenry is an open-ended framework that allows for a variety of types of play. The initial setup for Citizenry: The Game involves a 5×5 grid as a foundation. As a proxy urban setting, it becomes a framework to represent the contextual relationships of the built environment of a city. The grid is an abstraction, a minimalist distillation of the fundamental elements to make a city. The object of the game around the acquisition of Assets and Skills, towards fulfilling needs of Challenges, and given space on the Board. “Challenges” represent temporary or community-driven uses of the public spaces for increased civic participation and quality of life. Examples are Community Gardens, Food Cart Pods, Dance Party, and Skate Park. The built environments represented are grounded in my current home of Portland, Oregon. This location has also informed the aspirational challenges to meet in the game. Five typologies are represented in the piece of the game. A “skyscraper”, towering over the other pieces, to represent the density of an urban core. “Mixed Use” mid-rise represents 2-4 story buildings, like the ones populating Portland’s Northeast and Southeast neighborhoods, like Alberta, Mississippi, North Williams, Hawthorne, Belmont, Division, and Burnside. “Residential”, depicted as traditional pitched-roof single-family homes, may represent any type of residential areas, at a density of a typical city block. Two types of open spaces, “Vacant Lots” and “Park” are to be used as flexible, transitional spaces that meet needs of Challenges. Installation at MFA Collaborative Design final show, Vigor Industrial, May 24 - June 11, 2013. https://images.squarespace-cdn.com/content/v1/516e09e2e4b085eec3836845/1369159581263-5G8Q7TXO3HI8RRKGT0J0/Exhibition-4.jpg Citizenry: The Game Citizenry: The Game is an approachable medium that facilitates active engagement and questioning. Citizenry is an open-ended framework that allows for a variety of types of play. The initial setup for Citizenry: The Game involves a 5×5 grid as a foundation. As a proxy urban setting, it becomes a framework to represent the contextual relationships of the built environment of a city. The grid is an abstraction, a minimalist distillation of the fundamental elements to make a city. The object of the game around the acquisition of Assets and Skills, towards fulfilling needs of Challenges, and given space on the Board. “Challenges” represent temporary or community-driven uses of the public spaces for increased civic participation and quality of life. Examples are Community Gardens, Food Cart Pods, Dance Party, and Skate Park. The built environments represented are grounded in my current home of Portland, Oregon. This location has also informed the aspirational challenges to meet in the game. Five typologies are represented in the piece of the game. A “skyscraper”, towering over the other pieces, to represent the density of an urban core. “Mixed Use” mid-rise represents 2-4 story buildings, like the ones populating Portland’s Northeast and Southeast neighborhoods, like Alberta, Mississippi, North Williams, Hawthorne, Belmont, Division, and Burnside. “Residential”, depicted as traditional pitched-roof single-family homes, may represent any type of residential areas, at a density of a typical city block. Two types of open spaces, “Vacant Lots” and “Park” are to be used as flexible, transitional spaces that meet needs of Challenges. Installation at MFA Collaborative Design final show, Vigor Industrial, May 24 - June 11, 2013. https://images.squarespace-cdn.com/content/v1/516e09e2e4b085eec3836845/1369159596447-1HAUFVD3C0X12SG5418S/IMG_3546.JPG Citizenry: The Game Citizenry: The Game is an approachable medium that facilitates active engagement and questioning. Citizenry is an open-ended framework that allows for a variety of types of play. The initial setup for Citizenry: The Game involves a 5×5 grid as a foundation. As a proxy urban setting, it becomes a framework to represent the contextual relationships of the built environment of a city. The grid is an abstraction, a minimalist distillation of the fundamental elements to make a city. The object of the game around the acquisition of Assets and Skills, towards fulfilling needs of Challenges, and given space on the Board. “Challenges” represent temporary or community-driven uses of the public spaces for increased civic participation and quality of life. Examples are Community Gardens, Food Cart Pods, Dance Party, and Skate Park. The built environments represented are grounded in my current home of Portland, Oregon. This location has also informed the aspirational challenges to meet in the game. Five typologies are represented in the piece of the game. A “skyscraper”, towering over the other pieces, to represent the density of an urban core. “Mixed Use” mid-rise represents 2-4 story buildings, like the ones populating Portland’s Northeast and Southeast neighborhoods, like Alberta, Mississippi, North Williams, Hawthorne, Belmont, Division, and Burnside. “Residential”, depicted as traditional pitched-roof single-family homes, may represent any type of residential areas, at a density of a typical city block. Two types of open spaces, “Vacant Lots” and “Park” are to be used as flexible, transitional spaces that meet needs of Challenges. Installation at MFA Collaborative Design final show, Vigor Industrial, May 24 - June 11, 2013. https://images.squarespace-cdn.com/content/v1/516e09e2e4b085eec3836845/1369159611529-TA86E5NN8YHMK7HVAX8W/IMG_3540.JPG Citizenry: The Game Citizenry: The Game is an approachable medium that facilitates active engagement and questioning. Citizenry is an open-ended framework that allows for a variety of types of play. The initial setup for Citizenry: The Game involves a 5×5 grid as a foundation. As a proxy urban setting, it becomes a framework to represent the contextual relationships of the built environment of a city. The grid is an abstraction, a minimalist distillation of the fundamental elements to make a city. The object of the game around the acquisition of Assets and Skills, towards fulfilling needs of Challenges, and given space on the Board. “Challenges” represent temporary or community-driven uses of the public spaces for increased civic participation and quality of life. Examples are Community Gardens, Food Cart Pods, Dance Party, and Skate Park. The built environments represented are grounded in my current home of Portland, Oregon. This location has also informed the aspirational challenges to meet in the game. Five typologies are represented in the piece of the game. A “skyscraper”, towering over the other pieces, to represent the density of an urban core. “Mixed Use” mid-rise represents 2-4 story buildings, like the ones populating Portland’s Northeast and Southeast neighborhoods, like Alberta, Mississippi, North Williams, Hawthorne, Belmont, Division, and Burnside. “Residential”, depicted as traditional pitched-roof single-family homes, may represent any type of residential areas, at a density of a typical city block. Two types of open spaces, “Vacant Lots” and “Park” are to be used as flexible, transitional spaces that meet needs of Challenges. Installation at MFA Collaborative Design final show, Vigor Industrial, May 24 - June 11, 2013. https://images.squarespace-cdn.com/content/v1/516e09e2e4b085eec3836845/1369159613456-AM7E7O0Y3WOMEEQUGVX1/IMG_3534.JPG Citizenry: The Game Citizenry: The Game is an approachable medium that facilitates active engagement and questioning. Citizenry is an open-ended framework that allows for a variety of types of play. The initial setup for Citizenry: The Game involves a 5×5 grid as a foundation. As a proxy urban setting, it becomes a framework to represent the contextual relationships of the built environment of a city. The grid is an abstraction, a minimalist distillation of the fundamental elements to make a city. The object of the game around the acquisition of Assets and Skills, towards fulfilling needs of Challenges, and given space on the Board. “Challenges” represent temporary or community-driven uses of the public spaces for increased civic participation and quality of life. Examples are Community Gardens, Food Cart Pods, Dance Party, and Skate Park. The built environments represented are grounded in my current home of Portland, Oregon. This location has also informed the aspirational challenges to meet in the game. Five typologies are represented in the piece of the game. A “skyscraper”, towering over the other pieces, to represent the density of an urban core. “Mixed Use” mid-rise represents 2-4 story buildings, like the ones populating Portland’s Northeast and Southeast neighborhoods, like Alberta, Mississippi, North Williams, Hawthorne, Belmont, Division, and Burnside. “Residential”, depicted as traditional pitched-roof single-family homes, may represent any type of residential areas, at a density of a typical city block. Two types of open spaces, “Vacant Lots” and “Park” are to be used as flexible, transitional spaces that meet needs of Challenges. Installation at MFA Collaborative Design final show, Vigor Industrial, May 24 - June 11, 2013. http://katie-mays.com/living-yoga daily 0.75 2016-03-12 https://images.squarespace-cdn.com/content/v1/516e09e2e4b085eec3836845/1457746555303-LHONHRK8ZOGS7NZSECE6/WH4.png Living Yoga https://images.squarespace-cdn.com/content/v1/516e09e2e4b085eec3836845/1457746555303-LHONHRK8ZOGS7NZSECE6/WH4.png Living Yoga https://images.squarespace-cdn.com/content/v1/516e09e2e4b085eec3836845/1457746547834-VKCV4QBKDJPNSJMUG1KP/WH5.png Living Yoga https://images.squarespace-cdn.com/content/v1/516e09e2e4b085eec3836845/1373435726809-B2CBQU6RIKVVONRQB0F1/LY-broch.jpg Living Yoga Living Yoga information brochure 5.5" x 8.5" https://images.squarespace-cdn.com/content/v1/516e09e2e4b085eec3836845/1373435727930-UZUTAX9DRQ7NPLMKNMWY/LY-broch2.jpg Living Yoga Living Yoga information brochure 5.5" x 8.5" https://images.squarespace-cdn.com/content/v1/516e09e2e4b085eec3836845/1373435728236-LOZCCKW8GRUZXGLFAS3V/LY-broch3.jpg Living Yoga Living Yoga information brochure 5.5" x 8.5" https://images.squarespace-cdn.com/content/v1/516e09e2e4b085eec3836845/1373435875506-51V5JLWUKHKEF7CHPNDD/LY-NL.jpg Living Yoga Living Yoga Summer 2013 Newsletter 4 pages, 8.5" x 11" https://images.squarespace-cdn.com/content/v1/516e09e2e4b085eec3836845/1373435875152-B52WMX4AQ3N2NQTJUHZZ/LY-NL2.jpg Living Yoga Living Yoga Summer 2013 Newsletter 4 pages, 8.5" x 11" https://images.squarespace-cdn.com/content/v1/516e09e2e4b085eec3836845/1373435878820-UDQSX4FVA5V82OZZE2S7/LY-NL3.jpg Living Yoga Living Yoga Summer 2013 Newsletter 4 pages, 8.5" x 11" https://images.squarespace-cdn.com/content/v1/516e09e2e4b085eec3836845/1373435878831-IXHL2WAC8R6HOYOHZI67/LY-NL4.jpg Living Yoga Living Yoga Summer 2013 Newsletter 4 pages, 8.5" x 11" https://images.squarespace-cdn.com/content/v1/516e09e2e4b085eec3836845/1457746490347-LE0WSLESW4EL283BQ0X3/WH5.png Living Yoga http://katie-mays.com/logos daily 0.75 2015-05-15 https://images.squarespace-cdn.com/content/v1/516e09e2e4b085eec3836845/1431725578661-WOVHE5WYDVK5PP3ESF1Z/robbie-lumberjack_final.png Logos Logo design for a freelance youth minister https://images.squarespace-cdn.com/content/v1/516e09e2e4b085eec3836845/1431725578661-WOVHE5WYDVK5PP3ESF1Z/robbie-lumberjack_final.png Logos Logo design for a freelance youth minister https://images.squarespace-cdn.com/content/v1/516e09e2e4b085eec3836845/1373485543809-S6HJ5RY7ZIYAZIG8OGN5/Logos.jpg Logos - NPOmatters Logo created for a start-up information sharing platform to engage the public in positive work being done by non profit organizations. https://images.squarespace-cdn.com/content/v1/516e09e2e4b085eec3836845/1373485548273-4RL8JB6VBQXGLW2T5M1W/Logos2.jpg Logos Branding for Mel Thillens' successful 2010 campaign for Park Ridge Park District Board of Commissioners. https://images.squarespace-cdn.com/content/v1/516e09e2e4b085eec3836845/1373487501466-2YN9O9W0A3XWH0UB6BLY/WAYFARE_bcard-back_gradient.jpg Logos - The Wayfare Group https://images.squarespace-cdn.com/content/v1/516e09e2e4b085eec3836845/1406670108288-GBXZ4KBIB8LWFGRTAIE4/h%26hlogo.jpg Logos - Half&Have Half&Have is an initiative to meet consumers’ needs and preferences for smaller, waste-free food product sizing while providing a give-back model directly at the time of purchase. Part of the proceeds are donated to the Oregon Food Bank when purchasing bread sold with the Half&Have designation. http://katie-mays.com/information-design daily 0.75 2013-07-10 https://images.squarespace-cdn.com/content/v1/516e09e2e4b085eec3836845/1366185468973-WSAEH66FVE5M9Y701PEV/5-Infographics-2.jpg Information Design https://images.squarespace-cdn.com/content/v1/516e09e2e4b085eec3836845/1373486406029-A6LC2YKHLYR735WZU8BP/Infographic_layout-Blight13-rev1.jpg Information Design - Blight : The Fix Infographic created to show global flows of black market goods. Produced for Blight Magazine : The Fix (2013) https://images.squarespace-cdn.com/content/v1/516e09e2e4b085eec3836845/1373486856146-EVXFIB7N8TRDF628J6EW/Infographic_layout-Blight13-detail.jpg Information Design - Blight : The Fix Infographic created to show global flows of black market goods. (Detail view) https://images.squarespace-cdn.com/content/v1/516e09e2e4b085eec3836845/1373488152876-1BSLUWRK8N61Q2ZCHKBZ/Assignment1.jpg Information Design - Food Infographic Created for Information Design class, Feb. 2013 https://images.squarespace-cdn.com/content/v1/516e09e2e4b085eec3836845/1366185468973-WSAEH66FVE5M9Y701PEV/5-Infographics-2.jpg Information Design - Social Services + R2D2 Mapping the context of downtown Portland https://images.squarespace-cdn.com/content/v1/516e09e2e4b085eec3836845/1366185699870-HAW7BGPONJNNEKM78MP5/5-Infographics-3.jpg Information Design - Right 2 Dream Too Measuring impacts https://images.squarespace-cdn.com/content/v1/516e09e2e4b085eec3836845/1366185537588-C7J0ZQ4KN2PY1G3CSCR0/5-Infographics-1.jpg Information Design - Malone Family Taxonomy https://images.squarespace-cdn.com/content/v1/516e09e2e4b085eec3836845/1373485873916-SB4TQ7WH3N794LH6PAJP/Parklets_PublicArchitecture_cover12.jpg Information Design - Parklet Neighborhood Context A map showing the neighborhood surrounding Arizmendi Bakery and their successful Parklet. https://images.squarespace-cdn.com/content/v1/516e09e2e4b085eec3836845/1373485897025-4I18LPV2O9ZM6U27FEJ9/Parklets_PublicArchitecture_cover23.jpg Information Design https://images.squarespace-cdn.com/content/v1/516e09e2e4b085eec3836845/1373486284664-ZF889CNEFGFKLV2LLGHW/Theory-Of-Change.jpg Information Design - Theory of Change Model Visualizing outcomes of intervening to eliminate microplastic deposits along the Oregon Coast by sponsoring Spring Break trips for college students.  http://katie-mays.com/sisters-of-the-road daily 0.75 2016-03-12 https://images.squarespace-cdn.com/content/v1/516e09e2e4b085eec3836845/1457746666112-D9T2ODQQ0V5G3OWFTC34/WH6.png Sisters Of The Road https://images.squarespace-cdn.com/content/v1/516e09e2e4b085eec3836845/1457746666112-D9T2ODQQ0V5G3OWFTC34/WH6.png Sisters Of The Road https://images.squarespace-cdn.com/content/v1/516e09e2e4b085eec3836845/1420525568717-5UT8BSDUJF3SY6VCPSPH/image-asset.jpeg Sisters Of The Road - New Hobo Symbols sticker New promotional sticker designed using community-created "New Hobo Symbols". Sisters' logo of the three X's within the circle was anonymously chalked on the sidewalk of the cafe when it was first opened– a hobo symbol for good food and hospitality. https://images.squarespace-cdn.com/content/v1/516e09e2e4b085eec3836845/1420604998466-3OBQTYMA3BD0BRCYRUEK/image-asset.jpeg Sisters Of The Road - New Hobo Symbols sticker https://images.squarespace-cdn.com/content/v1/516e09e2e4b085eec3836845/1406667311125-9IGVG7AX9YCWJHQ523PF/SOTR-Journeys2014_Wweek.jpg Sisters Of The Road - Journeys 2014 Designed posters + ads for 2014 Journeys Art Festival and jazz concert. Willamette Week ad https://images.squarespace-cdn.com/content/v1/516e09e2e4b085eec3836845/1406667425512-UE98TAWHUIYLJ6HZ2KJV/Journeys_2014-poster_FINAL.jpg Sisters Of The Road - Journeys 2014 Designed posters + ads for 2014 Journeys Art Festival and jazz concert. Poster, 11" x 17" https://images.squarespace-cdn.com/content/v1/516e09e2e4b085eec3836845/1373495705695-R1EMMLD1H4V8MUEGLRXP/DWDpostcard_2012_rev1.jpg Sisters Of The Road - Dining With Dignity Designed promotional materials for this annual event where restaurants donate a percentage of profits for specific days. Postcard, 5" x 7" https://images.squarespace-cdn.com/content/v1/516e09e2e4b085eec3836845/1373495709195-JKZA6F90EP1WU0RMIADV/2012_DWD_Poster_rev5.jpg Sisters Of The Road - Dining With Dignity Designed promotional materials for this annual event where restaurants donate a percentage of profits for specific days. Poster, 11" x 17" https://images.squarespace-cdn.com/content/v1/516e09e2e4b085eec3836845/1373495803438-ASUJ2J4GG7OHQQIGTIDD/B_Line-DWD.jpg Sisters Of The Road - Dining With Dignity  Designed promotional materials for this annual event where restaurants donate a percentage of profits for specific days. Ad on B-Line Delivery Trike, 55" x 33" https://images.squarespace-cdn.com/content/v1/516e09e2e4b085eec3836845/1373495984061-EIY0CUCVS83JWW0DBKET/DWD_Check_Insert_sixth.jpg Sisters Of The Road - Dining With Dignity Designed promotional materials for this annual event where restaurants donate a percentage of profits for specific days. Check inserts, 5.5" x 3.5" https://images.squarespace-cdn.com/content/v1/516e09e2e4b085eec3836845/1420526059598-TSXDJLEZWAX57WJI5NJ2/image-asset.jpeg Sisters Of The Road - Dining With Dignity – Alternate Design Alternate design for an annual event where restaurants donate a percentage of profits for specific days.   https://images.squarespace-cdn.com/content/v1/516e09e2e4b085eec3836845/1373496026953-WYXHC5F88C70JQ9JOCOL/TOT.jpg Sisters Of The Road - Together At The Table Logo & promotional materials for Sister's winter fundraising campaign. https://images.squarespace-cdn.com/content/v1/516e09e2e4b085eec3836845/1420526323026-KWPTF60OVBOM3J97H57J/image-asset.jpeg Sisters Of The Road - Together At The Table ad Ad for the Together at the Table campaign, appearing in Street Roots. https://images.squarespace-cdn.com/content/v1/516e09e2e4b085eec3836845/1373496521061-Y0F94SSVR9SPJN1F02TN/WFpostcard2012.jpg Sisters Of The Road - Winterfolk 24 Designed promotional materials for Sister's annual benefit folk concert. Postcard, 5" x 7" https://images.squarespace-cdn.com/content/v1/516e09e2e4b085eec3836845/1420526725728-WTCJOD0B6UA1I97GPCJ8/OCF-4.jpg Sisters Of The Road - Oregon Community Foundation breakfast invitation https://static1.squarespace.com/static/516e09e2e4b085eec3836845/51ddb7cfe4b0ff9238628c8f/56e372b7d210b8a4c7eb3c4e/1457746615347/ Sisters Of The Road https://images.squarespace-cdn.com/content/v1/516e09e2e4b085eec3836845/1457746624528-UB1GKTSLK9Z6B49MKIPG/WH6.png Sisters Of The Road http://katie-mays.com/oregon-prosperity daily 0.75 2015-01-06 https://images.squarespace-cdn.com/content/v1/516e09e2e4b085eec3836845/1420527040615-CSBRKIGO4XYAEIZHT9LZ/DesignLab-Profiles-Yolanda_update2.jpg Oregon Prosperity Design Lab - Oregon Poverty infographic To provide context for the Oregon Prosperity Design Lab, I designed these five infographics to illustrate specific demographic statistics, paired with a narrative interview with a person experiencing that reality. https://images.squarespace-cdn.com/content/v1/516e09e2e4b085eec3836845/1420527040615-CSBRKIGO4XYAEIZHT9LZ/DesignLab-Profiles-Yolanda_update2.jpg Oregon Prosperity Design Lab - Oregon Poverty infographic To provide context for the Oregon Prosperity Design Lab, I designed these five infographics to illustrate specific demographic statistics, paired with a narrative interview with a person experiencing that reality. https://images.squarespace-cdn.com/content/v1/516e09e2e4b085eec3836845/1420527039966-9VXYE49N2J1VZQBNNMHD/DesignLab-Profiles-Yolanda_update22.jpg Oregon Prosperity Design Lab - Oregon Poverty infographic To provide context for the Oregon Prosperity Design Lab, I designed these five infographics to illustrate specific demographic statistics, paired with a narrative interview with a person experiencing that reality. https://images.squarespace-cdn.com/content/v1/516e09e2e4b085eec3836845/1420527041044-EILZPE81ZU4CBY8DWIE4/DesignLab-Profiles-Yolanda_update23.jpg Oregon Prosperity Design Lab - Oregon Poverty infographic To provide context for the Oregon Prosperity Design Lab, I designed these five infographics to illustrate specific demographic statistics, paired with a narrative interview with a person experiencing that reality. https://images.squarespace-cdn.com/content/v1/516e09e2e4b085eec3836845/1420527042025-WE02K1N1DUCPTVVTXUF7/DesignLab-Profiles-Yolanda_update24.jpg Oregon Prosperity Design Lab - Oregon Poverty infographic To provide context for the Oregon Prosperity Design Lab, I designed these five infographics to illustrate specific demographic statistics, paired with a narrative interview with a person experiencing that reality. https://images.squarespace-cdn.com/content/v1/516e09e2e4b085eec3836845/1420527042222-XO3906ZCGI5N4ADSJNWX/DesignLab-Profiles-Yolanda_update25.jpg Oregon Prosperity Design Lab - Oregon Poverty infographic To provide context for the Oregon Prosperity Design Lab, I designed these five infographics to illustrate specific demographic statistics, paired with a narrative interview with a person experiencing that reality. http://katie-mays.com/welcome-home-coalition daily 0.75 2016-03-12 https://images.squarespace-cdn.com/content/v1/516e09e2e4b085eec3836845/1457746363937-9OKPRYXDN96M2YS07ZSB/image-asset.png Welcome Home Coalition Branding and informational materials for the Welcome Home Coalition https://images.squarespace-cdn.com/content/v1/516e09e2e4b085eec3836845/1457746363937-9OKPRYXDN96M2YS07ZSB/image-asset.png Welcome Home Coalition Branding and informational materials for the Welcome Home Coalition https://images.squarespace-cdn.com/content/v1/516e09e2e4b085eec3836845/1431452188824-16QXJ0S4GGXSUB14QRLH/Kickoff-Flyer-final.png Welcome Home Coalition https://images.squarespace-cdn.com/content/v1/516e09e2e4b085eec3836845/1437411400605-VJGX7XOKYND8Y2T2D5QC/WH-Portfolio.jpg Welcome Home Coalition https://images.squarespace-cdn.com/content/v1/516e09e2e4b085eec3836845/1437411414898-KBT8SL3YX85Y993MR4QU/WH-Portfolio2.jpg Welcome Home Coalition https://images.squarespace-cdn.com/content/v1/516e09e2e4b085eec3836845/1437411428042-L50TYKHSNRKGF6PEVPQT/WH-Portfolio3.jpg Welcome Home Coalition https://images.squarespace-cdn.com/content/v1/516e09e2e4b085eec3836845/1437412313015-2RXPVCOMZHSZ9UHJWETI/WH-Portfolio4.jpg Welcome Home Coalition https://images.squarespace-cdn.com/content/v1/516e09e2e4b085eec3836845/1437412320800-9QFMFZBVMH485G2JXWKI/WH-Portfolio5.jpg Welcome Home Coalition http://katie-mays.com/join daily 0.75 2021-12-02 https://images.squarespace-cdn.com/content/v1/516e09e2e4b085eec3836845/1638470136139-SDTMFSNIHYRJ5WOEAET8/JOIN-Portfolio.png JOIN - Landlord Recruitment and Retention Program Toolkit, 2019. Skills: writing, editing, graphic design https://images.squarespace-cdn.com/content/v1/516e09e2e4b085eec3836845/1638470136139-SDTMFSNIHYRJ5WOEAET8/JOIN-Portfolio.png JOIN - Landlord Recruitment and Retention Program Toolkit, 2019. Skills: writing, editing, graphic design https://images.squarespace-cdn.com/content/v1/516e09e2e4b085eec3836845/1638470135948-W9GM63WPU6GL5JWKJ2E6/JOIN-Portfolio2.png JOIN - Landlord Recruitment and Retention Program Toolkit, 2019. 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